{"id":90208,"date":"2018-08-31T16:48:39","date_gmt":"2018-08-31T20:48:39","guid":{"rendered":"https:\/\/www.ucf.edu\/news\/?p=90208"},"modified":"2022-03-03T15:59:19","modified_gmt":"2022-03-03T20:59:19","slug":"behind-scenes-harry-potter-cursed-child","status":"publish","type":"post","link":"https:\/\/www.ucf.edu\/news\/behind-scenes-harry-potter-cursed-child\/","title":{"rendered":"Behind-the-Scenes of Harry Potter and the Cursed Child"},"content":{"rendered":"

When Harry Potter and the Sorcerer\u2019s Stone<\/em> was released on bookshelves in the United States in September 1998, Andrew Carnero \u201915<\/strong> was 5 years old. And while he remembers peering over his older brother\u2019s shoulder to see what he was reading, the UCF theatre<\/a> major could hardly have predicted the influence the series would eventually have on his life.<\/p>\n

Now, 20 years later, he serves as one of the stage managers on Broadway for Harry Potter and the Cursed Child<\/em>.<\/p>\n

\u201cWorking on this show, I\u2019ve learned how big of a worldwide phenomenon Harry Potter is,\u201d Carnero says. \u201cWe have people come in from all over the world every night, and I\u2019ll be on Facebook or on Instagram and see official Harry Potter accounts post something about Cursed Child<\/em>, and it\u2019s an amazing feeling to think, I\u2019m working on this. It\u2019s something that\u2019s really special.\u201d<\/p>\n

Carnero never dreamed of working on Broadway. Not until he decided to visit New York City for the first time on spring break during his senior year at UCF.<\/p>\n

Assistant Professor Claudia Lynch helped him make the most of his weeklong trip by setting up opportunities for the Orlando native to shadow professionals in the business.<\/p>\n

\u201cHaving Claudia as a professor and a mentor in my last year of college, all of her networking and resources, she\u2019s a big reason for my success and my continued success in New York,” he says.<\/p>\n

Since moving to New York in 2015, Carnero has worked on productions of The Color Purple<\/em>, Waitress<\/em>, Dear Evan Hansen<\/em> and The Play That Goes Wrong<\/em> and has been with Cursed Child<\/em> since day one of its run in the United States on April 22.<\/p>\n

He discusses life backstage and what makes Cursed Child<\/em> a special production.
\nWhat exactly does a stage manager do?<\/strong>
\nWe are really the backbone of a production. During the rehearsal process and during the production phase of the show, we are doing a lot of scheduling and running rehearsals. Through those rehearsals, we\u2019re collecting a bunch of information about the actors, about what they\u2019re doing on stage, about all the tech elements \u2014 sound, lighting, props and costumes \u2014 and we\u2019re channeling all that information to the right departments and basically facilitating the process of bringing the show to life.<\/p>\n

Once the show is up and running, we\u2019re calling all of the sound and light cues or we are making sure actors are where they need to be and the set is functioning as it is supposed to. We are making sure the director\u2019s vision for the show stays the same every night. It\u2019s a big umbrella of a job.
\nNo kidding. What does it take to juggle all those responsibilities and be successful?<\/strong>
\nBe a listener and an observer above all else. By being in tune with everything that’s happening, you can make the best decisions in every moment.\u00a0Most stage managers start out as production assistants. When you\u2019re a PA, you have to be relentless. Don\u2019t settle for OK. Really push for the best that you can do for the good of the show. It takes a lot of being thorough, being detail-oriented and you have to really listen to what is going on around you.<\/p>\n

Other than that, a good sense of humor helps. Because at the end of the day, we are just putting on a show, and it\u2019s really easy to get frustrated about all of these things that might be going on. But you have to be able to say, \u201cOK, this is what happened. How are we moving forward?\u201d and be able to laugh at it all with everyone.
\nDid you have to study up on the series to work on Cursed Child<\/em>?<\/strong>
\nBefore I interviewed for the job, I rewatched all the movies and made sure I knew my Harry Potter timeline. Of course, when I got to the interview, there was only one question about Harry Potter and it was, \u201cAre you a fan?\u201d<\/p>\n

Being a super fan was definitely not a prerequisite, but just by working on the show for the past year, the whole crew has become fans, and I\u2019ve definitely dived into the world of Harry Potter.
\nHow do new cast or crew members get initiated to the Cursed Child<\/em> club?<\/strong>
\nWe have them sort themselves on the Pottermore website, so that\u2019s fun. We keep tabs of who is in what house. I\u2019m a Ravenclaw, so I\u2019m very proud of that.
\nWhat was the energy like on opening night, and what has it been like since?<\/strong>
\nOpening night is always so special. Of course, the theater is buzzing. Family and friends are in the audience, so they\u2019re extra excited and super supportive. With Harry Potter specifically, there was so much time and work that had gone into opening this big show, we were all just sort of ready to do the show and show people what we had been putting together. It was such a great night.
\nHow has this experience compared to other shows you\u2019ve worked on?<\/strong>
\nScale wise, it\u2019s the biggest show I\u2019ve done by far. There are so many technical elements to it that blows every show I\u2019ve done out of the water. But every show you work on has something special about it. Be it the cast or the content.<\/p>\n

Harry Potter is super special because of how of big it is and how technically smart it is. The Color Purple<\/em> was extremely special because it was my first Broadway show and the music and the cast were so amazing. The Play that Goes Wrong<\/em> was really special to me because of it originating in London and putting up a Broadway version of that show. Each show is meaningful to me in its own way.
\nHow can a UCF student become a Broadway stage manager?<\/strong>
\nA great first step would be to reach out to other stage managers and pick their brains. That\u2019s what sparked my career. Ask good questions and develop a relationship with that person without being too overbearing. That interaction can eventually become: \u201cWe\u2019ve had a great chat, I know you want to be a stage manager, and I have a production assistant position open \u2014 are you interested?\u201d Try to put yourself out there, ask good questions, seem interested. If this is something that you really want to do and put hard work into, people will pick up on that and help make it happen for you.<\/p>\n","protected":false},"excerpt":{"rendered":"

Andrew Carnero \u201915 opens up about stage managing Broadway\u2019s hit play.<\/p>\n","protected":false},"author":98,"featured_media":90257,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"lazy_load_responsive_images_disabled":false,"footnotes":"","_links_to":"","_links_to_target":"","_wp_rev_ctl_limit":""},"categories":[15992,3],"tags":[17023,202,7036],"tu_author":[],"class_list":["post-90208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-alumni","category-arts","tag-college-of-arts-and-humanities","tag-alumni","tag-ucf-theatre"],"yoast_head":"\nBehind-the-Scenes of Harry Potter and the Cursed Child<\/title>\n<meta name=\"description\" content=\"UCF theatre graduate Andrew Carnero \u201915 opens up about stage managing Broadway\u2019s hit play.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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